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Date: 2009-02-12
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Adobe Premiere Pro CS4 Essential Training: Settings
How to specify the general settings, safe zones, and scratch disks
In this clip, Lynda.com host Antony Bolante covers how to specify the settings, such as general settings, safe zones, and scratch disks, in Adobe Premiere Pro CS4. He details how to start a new project, what a project is, and how to create a project and add assets to a Premiere Pro CS4 project.

Adobe Premiere Pro CS4 Essential Training: The Interface
The different workspaces explained
In this clip, Lynda.com host Antony Bolante goes over Premiere Pro CS4's interface, including the panes and panels that open when you launch Premiere Pro. He also covers the various workspaces in Premiere Pro CS4, including editing, color correction, audio, effects, and metalogging workspaces, and what each performs during the editing process.


The solid-state missing link: Sony's XDCAMEX Browser 2.0
Once you've had the joys of solid state shooting, with formats such as P2 and XDCAMEX, its hard to imagine going back to tape
Once you've had the joys of solid state shooting and production, with formats such as P2 and XDCAMEX, its hard to imagine ever going back to tape. This is not to say that solid state doesn't come without its drawbacks: no shelfable master, re-wrapping processes, short record times are all tangible workflow concerns. But the advantages -- speed, efficiency, on-set clip review - for the most part outweigh the drawbacks.

Final Cut Pro Advanced Technique: Copying, Pasting, and Removing Attributes
What's the easiest, fastest and most productive way to apply the filter with the customized settings?
Ever run into this scenario while editing in Final Cut Pro? You're tweaking a filter on a clip in FCP, and you know you have to apply it to at least three or four identical clips. What's the easiest, fastest and most productive way to apply the filter with the customized settings? By working with attributes!


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